My integrative project is to develop
sustainable packaging. Firstly, I plan to utilize paper material, since it is
easily recycled and doesn’t require as much energy needed in extraction as
plastics or metals. Secondly, I want to focus on user interaction with the
package. My initial idea was combining these aspects into transformable
packaging that can be re-folded into a new object. It relates to sustainable
material use due to the ‘second-life’ the package receives. Beginning with a
container, such as a simple cube, and adding perforations, instructions, and
fold-scores, it can transform into a functional form through the user. 'HangerPak' by Steve Haslip inspired me
to imagine transformable packaging designs. The clothing package has
illustrated instructions on its flat side. After folding, the container becomes
a hanger for the previously enclosed clothes. This piece struck me because it the
physical interaction with the package extended the usual waste into something
functional. This type of project holds potential for audience because it opens
the availability of make-able items to under-resourced environments, such as
schools. I expect to see my final project functioning in the world.
My design would serve for behavioral adaption,
if not by the user, by the package to already existing waste habits. Even
though reusable containers are more sustainable than recyclable packaging, the
instituted behavior is ‘quick, grab-and-go’. So, would anyone take the time to
fold something? The user engages with the form’s structure, feels excitement,
and senses accomplishment through creating. The challenge is to find a way to
incorporate both material and interaction while keeping interest.
I will explore various packaging issues
until I reach an interesting and innovative topic. Cardstock, coated papers,
and blades are the envisioned materials. I plan to pay from job-money or from grant-money.
Sources and References
The Packaging and
Design Templates Sourcebook
Luke
Herriott
Design Matters
Packaging
Capsule
World Changing: A User’s
Guide to the 21st Century
Harry
Abrams
Emotional Design
Donald
A. Norman
Designing Sustainable
Packaging
Scott
Boylston
‘HangarPak’ by
Steve Haslip
Tetra Pak (company)
Easter egg-dye kits (perforations turn box into egg holder)
Week of
Oct 17: Create more small projects for different packaging
design issues.
Oct 24: Hone in on an idea and research, do prototypes
Oct 31: Continue on prototypes
Nov 7: Write and Submit grant application
Nov 14: Material exploration
Nov 21: Refine prototypes in material
Nov 28: Prep for materials due
Dec 5: Materials due
Dec 12: Prepare and present work
Dec 19: Next stages of developing the form
Dec 26: Christmas break
Jan 2: Start “branding” ideas
Jan 9: Develop logo and color variations
Jan 16: Bring into the outside world to get feedback
Jan 23: Interviews and observation
Jan 30: Refine after seeing the design issues
Feb 6: More observations/ interviews.
Feb 13: Develop graphics in relation to form
Feb 20: Implement in the ‘real-world’
Feb 27: Gather reactions
Mar 5: Continue to refine
Mar 12: Create final proposal
Mar 19: Final production
Mar 26: Final production
Apr 2: Work due to gallery installers
Apr 9: Prepare for gallery exhibition, contact information
on cards, invites
Apr 16: Write thesis and submit
Apr 23: Done
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