Saturday, January 21, 2012

Week 16

Saturday Jan 21: [2 hrs] Home to photograph.





































Sunday Jan 22: [0 hrs]
Monday Jan 23: [2hrs] Making armatures to show for the following critique.

Tuesday Jan 24: [3hrs] Printing off images and posting them in my studio so I can focus on them.
Excerpts of (un-edited) stream of consciousness writing for the docks:


We built things
boats and such 
more than that
we built family and memories
Dead fish floating at the ramp
bones and glass
and boats 
the time Joey locked the keys in the aerostar 
trailer half way in the water
The marina was full of assholes
can't use the phone, can't use the bathroom
a three year old and an eight year old
one crying the other yelling at their honest mistake
Dad had to walk us to a pub it was called the silly goose inn
it sat on the gravel beside the water beds and cat tails
by this time it was evening
and too late to fish 
the worms all died in the heat of the car
suffocating, smelled of dirt

Beautiful panfish
iridescence in their scales
and the blood they draw with their sharp backfins
Fermi II in the distance, right over the docked vessels
The sun is a protector, like a father here
The kids that jump from the overpass into the water
are safe because of him
The rocks below never crack a skull
The currents never cease to fool navigation
The lilies and weeds never open to show the water below
he protects all of the inhabitants here
Rickety old boards of wood and life

I am a child here
I know lake Erie because 
I grew up here like
the fishflies that covered the entire parking lot that year
the truck crunched with the weight of the boat
and I sat in the back seat
Uncle Gene and Dad smelled like sweat, beer, cigarettes
and it was the only time I was ever there at night

Swans 
usually seen alone
find their other halves
they sit in the open spaces
and watch everyone that passes
It is a lot deeper than you'd expect
God forbid I ever fall in

From what I'm writing, I think I associate this place with my father.
This is all memory. Trying to pull out details to illustrate.
Not yet about when I go there alone though.


[.5 hr] Argo Lake

















 Wednesday Jan 25: [1 hr] Sketching details I remember about the docks, not just the landmarks.

Thursday Jan 26: [5 hrs]
Looked at pacing techniques in Lisa Olson's artist books that Stephanie let me borrow. I tried to take some of the writing I did along with photos of the docks to create short booklets. They are pretty awful but I just wanted to see how I could pace the feeling over 4 spreads.

Friday Jan 27: [0hrs] at work




What I discovered
Focusing on one location at the moment is the best way to approach my "artist's block". Especially since this allows me to have more developed work for the postcard photo in February. It feels good to make physical things, even if they seem to be exercises right now. It's another way of thinking at the moment instead of in my head or just limiting myself to sketching. I need to get a handle on poetry pacing, and the construction as a whole piece.

What to do next
Make, surround myself with examples and options from things that I make that don't work.

Monday, January 16, 2012

Week 15

What I Did

Saturday: [1 hr] Sketched and research

Relevant Past project
Solitary 2010: Ink drawings and handwritten text on mylar.
"A Series of 5 ink drawings based on a poem inspired by solitary feeling in nature. The drawings reference metaphorical body parts (spine, hands) that are mentioned in the poem.The goal of the arrangement is to produce a feeling of being
solitary."










Sunday: [.5hr] Sketched locations with their respective landmarks
(or things I immediately associate with them)

River-Rockwood: "Twin towers", silence, below the road, cold, empty.

River-Huroc: Suspension pipe across the water, the bridge with no exit.

Lake Erie-Docks/Launch: Closed down bathroom, graffiti, docks, fish bones.

Woods-Hubbard Rd: Sleeping deer, fallen trees.

Woodruff road: Dirt road, lamppost, "politically correct" graffiti, woods, flooding, potholes, dogs.

Backyard: Old door, praying mantis, tall sunflower stalks.

Argo lake: Train, the dam, shaky metal walkway over the water.


Monday: [4hr]
Build/design armatures
Thesis Paper Review






Cylinder armature

Woodruff Rd armature

First booklet design














Tuesday: [5hr] continue with armatures


Wednesday: [1 hr] sketching, praying mantis idea, abstractions

Thursday: [4.5hr] Sketching, meeting with James

Diagram / sketch of suspension bridge design


Diagram for deer motion



Trying to find the correlation between the angles of  dead
sunflower stalks and the arms of a mantis for the backyard


Friday: None





















Discoveries
I think it will be easier for me to begin to build the structures literally, then abstract them. If I go from the other direction, I'm afraid I'll confuse myself. Also, I have the option to send the poetry for the books to be critiqued by our writing coach.

To Do Next
I am going to go home this weekend to spend time at these places and take photographs. Right now I'm relying completely on memory. I want feel the places.
For Tuesday I would like to show my armatures and sketches. I want to take one armature idea and build it three different ways to show the class and get feedback on.


Jan 16: Armature Construction/ Sketch in paper

Jan 23: Photographs of places/ Poetry/ Flesh out armatures

Jan 30: Flesh out armatures/ Start on booklet design

Feb 6: Integration of pop-up to booklet design

Feb 13: Continue Integration

Feb 20: Woodblock Graphic?

Feb 27: Work on prototypes

Mar 5: Continue to refine/ place out in public?

Mar 12: Create final proposal

Mar 19: Final production

Mar 26: Final production

Apr 2: Work due to gallery installers

Apr 9: Prepare for gallery exhibition, contact information on cards, invites

Apr 16: Write thesis and submit

Tuesday, January 10, 2012

Week 14

What I did
Saturday: [1.5 hr] Experiments in brochure folds

Sunday: [.5 hrs] Reviewed photos I took over break.

















Monday:
[2.5 hrs]
Created mock-up sketches of booklets, created pop-up form sketch.

Tuesday:

 Points from critique
-Is this about going to a place for the audience or seeing your personal perception of a place.
-Poetry is naturally abstract, so the popups would be better suited to act as an abstract visual aid.
-Go all out with paper-folding.
-One book with continuing maps or a pop-up series that layout together.
-Some running consistency but don't use a template.
-Pacing; no time to take in the poetry. Slow it down, immerse the reader.
-Create a format in isolation from text.
-Perception; visually articulate the senses.

[3 hrs]
Did sketches in paper and wrote poetry.

Wednesday:
Looked up inspirational projects on the Dieline blog.














Researched the special collections library online,
Annette Haines on Thursday.
I got my cutting mat back.
More sketching

Thursday: [2.5 hrs] Borrowed the Making Handmade Books book, made snake form, and T-cut.
[2 hrs] Special Collections with Annette Haines, picked up some brochure design books from Dude.
Some artist books I took notes on
-Bolom Chon
-Julie Chen
-International Society of Copier Artists
-Bridget Flower
-S. Denter, City Thunder
-Wea.rt

[3 hrs] Studio Hours, sketching, keywords, looking through books, making flexagons from bookmaking text.

Keywords:
Isolated
Solitary
Dream-like
Abstracted
Flowing

Friday: I work

What I discovered
I told Mark about my project and he said "This is the first time you've spoke about your project and it actually makes sense." I suppose that is a good thing. I am excited to work in this way, and there is so much inspiring work for me to look at. I want to focus on form aiding the content, not the other way around. Annette showed me quite a few books like that, including Julie Cheng's newest addition, "A Guide to Higher Learning".

What to do next
Make, make, make